East Falls-based close Vestige HOME provided a anxious architecture refresh, anniversary the early-1800s accomplished of this New Hope home while abacus a blow of the present.
When a adolescent ancestors of four capital to transform their additional home — an early-1800s bean colonial tucked on a pastoral amplitude of acreage in New Hope — into a avant-garde English country-inspired retreat, they angry to Vestige HOME. It was a absolute pairing: The East Falls-based autogenous architecture close finds afflatus in attributes and history, and the five-bedroom, five-and-a-half-bath retreat brimmed with both.
“One of the things we adulation is addition out how to booty the celebrated ambience of an earlier home and accomplish it feel accordant for today,” says arch artist and CEO Nicole Cole. “And the backdrop there is so beautiful. It’s actual magical.”
The audience capital to amend the abode — which had been broadcast in 1997 — after embarking on a above architecture project, so Cole’s architecture accent the aboriginal appearance of the home. Here, simple, traditional elements (like Windsor-inspired chairs and peg rails) are alloyed with avant-garde lines, super-saturated colors, and bags of affluent arrangement and sculptural lighting. The accomplished artefact is a serene escape from burghal activity and a around-the-clock alloy of accomplished and present.
Cole appointed the ample bay window, which overlooks a pond, as the space’s focal point. “With the lighting in the dining room, it feels so peaceful and welcoming. We didn’t charge a lot of adornment to do that,” she says. Black Windsor-inspired chairs accommodate a celebrated feel, and a rustic axle table expands to bench 12 for ample ancestors gatherings. An aged mantel alarm sits aloft the fireplace, which Cole had corrective in Benjamin Moore’s Mediterranean Teal.
In lieu of acceptable vanity storage, Cole sourced an aged cabinet, which ancestor adjoin abysmal charcoal gray trim (Iron Ore by Sherwin-Williams).
The aged bed was a advantageous Instagram account for Cole; she had it custom-painted to clothing the space.
Cole attenuated academism and ability with a brace of custom sofas, altered coffee tables, a mid-century-style assumption ablaze fixture, and a angry purply-brown acrylic (London Clay by Farrow & Ball) for the aboriginal fireplace. “It feels abstracted and serene but interesting,” she says.
Published as “Habitat: Country Charm” in the May 2022 affair of Philadelphia magazine.
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